A new film from a great director who always takes risks. From his explosive debut to his latest work, the Mexican filmmaker has built a career on calculated risks—artistic, technical, and personal—that most directors would carefully avoid. The result is a body of work that feels singular: restless, ambitious, and often polarizing, yet impossible to ignore. It began with Amores Perros (2000). Rather than deliver a conventional debut, Iñárritu wove three raw, intersecting stori

A review of the short film The Aloha Within, directed by Robert Massetti and Elvis Maleko The Aloha Within opens with a lovely song. A warm voice sings an unfamiliar melody without accompaniment, and that voice, against the black background of the image, draws the viewer in from the very first moment. When the first image appears, we may assume the voice belongs to a singer at a wedding ceremony, with dancers performing on stage for the guests. Yet even in those early minutes

A review of the short film Who’s Choreographing Us?, directed by BUSE BASKI and Georgia Bloom Films that use dance as their primary mode of expression generally fall into two categories. The first group is known as screendance: films in which the choreography is specifically designed for the camera, and through the possibilities that cinematic tools offer the makers—lenses, frames, horizontal and vertical camera movements, editing, and so on—we are meant to arrive at a differ

Review of the documentary film INNOVATION IN CONNECTICUT directed by Zeljko Mirkovic Documentaries about educational institutions are generally appealing in that they address important questions surrounding the challenges such centers face in finding new ways to discover and foster creativity. Along these questions, there is usually also a picture of how, in today’s world where science has become increasingly widespread and more people have access to greater amounts of inform

A review of the film Because We Are Too Many, directed by Eve Natasha Leonard-Walsh One of the most important features of independent filmmaking is that the director, for various reasons such as the film’s budget, the use of digital technology, and working with small crews, can undertake experiments that are impossible within large, high-budget productions. Although independent cinema cannot compete with Hollywood in terms of audience numbers, and lacks the capacity for wid

Review of the short film Ubi Sunt, directed by Natalia Jezova The common notion that sound is of lesser importance than image has long since lost credibility among serious film enthusiasts. Many great films in the history of cinema, particularly over the past few decades, have demonstrated that sound can, at times, matter more than what we see; it can alter the meaning of what we see, and can generally convey information and mental images that objective visuals alone are inca

A Review of the Animation 9-1-1 (not a 9/11 parody), Directed by Wilson & Michael Ogberefor and Sivan Shriki Animated films can play an exceptionally powerful role in expressing the political and social positions of their creators. Unlike boring rigid texts or formal speeches, animation can convey complex ideas in an accessible and appealing language, while entertaining the audience—particularly because it is transmitted through the art of imagery, character development, an

A review of the short film Untitled, directed by Andrew Culver The short film Untitled, directed by Andrew Culver, is one of those works built around a single, original central idea that carries it forward from the very first moment. In the opening scene, two young men sit in a house; it is rightly emphasized that their heads are a little warm from drinking beer when one of them introduces the film’s idea in the form of a story that happened to him a few weeks earlier. He had

A look at the short film Enter the Room, directed by Harry Waldman Short films have always offered exceptional opportunities for experimentation. Filmmakers who wish to explore unconventional spaces, venture into uncharted territory, or adopt less familiar forms of expression usually turn to the short format. The primary reason is practical: the tools, form, runtime, and production costs of a short film are far more manageable than those of a feature. This freedom allows a fi

“Heaven's Revenge, I Love You to Death” begins with the story of Heaven Bailey, a happy and energetic woman, and it all starts when she...

Directed by "David Ash", "INCOMPLETENESS" is a must watch series that should definitely be on everyone’s to-watch list. David has...

The documentary Flood: The Overdose Epidemic in Canada has a straightforward beginning, goes straight to the point and speaks directly of...

Made in the United States and with a relatively tight budget, the three-minute short film Super Fix is written, produced and directed by...

A documentary film, Alaska Long Hunters begins with an interview that takes us into the world of long hunters-hunters whose main goal is...

How do you review a film that is a review of life itself? Chloe Zhao’s Nomadland mimics life scrupulously. In its rhythms and beats, in...