Here is the English translation of your review, polished to sound natural and professional while staying completely faithful to your exact phrasing: A Symphony of Neon and Memory: Why Bi Gan’s 'Resurrection' is a Sci-Fi Masterpiece Oliver Hermanus (director of Living, Moffie) cements his position as an illustrator of repressed desires and melancholy with his film The History of Sound. Adapted from Ben Shattuck’s acclaimed, Pushcart Prize-winning short story, the film is a dee

With his film Resurrection, the stylish and distinct Chinese director Bi Gan ventures into the science-fiction genre, and interestingly, just like his previous two works, the genre completely serves his subtle and poetic vision. Known for the labyrinths and dreamlike atmospheres of Kaili Blues and Long Day’s Journey Into Night, Bi brings his perpetual obsession with "time and memory" into a rain-slicked, neon-drenched cyberpunk future. The result of this effort is a sensory,

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